2016
Sound Installation
Through the medium of sound, we gain insight into the nuances of spatial relationships. Sound transcends its role as a mere conduit for information, emerging as a pivotal means to discern the interplay of space. This artwork invites the audience to engage with this concept, exploring how sound's position in space can be perceived and transformed, thereby facilitating a unique auditory experience and fostering a profound connection with the surrounding milieu.
'Where' utilises rice paper as the foundational element of its sonic installation, placed within the space with an exploratory ethos. Listeners are privy to the auditory sensation of the paper's vibrations. This experience, through a reimagined auditory journey, deepens their engagement with the evoked imaginings or resonates with latent memories.
The installation, with its deliberate and gradual alteration of orientation, navigates the dichotomy of left and right, motion and stasis, enabling spectators to ascertain their locus within the space. The reverberations within this realm serve as an unvarnished portrayal of sound's interplay with space, as the installation adroitly constructs and deconstructs the nexus between the sonic environment and individual auditory perception, seamlessly interweaving them.
透過聲音，我們可以認識空間。聲音不僅僅是一種傳遞訊息的媒介，也是一種能夠讓我們感知空間關係的方式。在這個作品中，透過對聲音在空間中位置的認知和轉換，觀眾可以體驗到不同的聲音效果，並感受到自己與空間之間的關係。
《何處》使用宣紙作為裝置發聲的基礎，以一種探索的姿態座落於空間中。觀眾可以聆聽到紙張震動的聲音，透過重新建構聽覺經驗，更深入地體驗到聽覺所延伸出的想像，或是喚起記憶中的對照物。
透過裝置的機構緩慢的轉換方向，左與右、動與不動之間，觀眾可以更確定自己所在的位置。空間中的殘響，是聲音對於空間最直白的描述，裝置不斷地組裝、拆解聲音空間與個體聽覺的關係，又巧妙地將彼此相連。
Sound Installation
Through the medium of sound, we gain insight into the nuances of spatial relationships. Sound transcends its role as a mere conduit for information, emerging as a pivotal means to discern the interplay of space. This artwork invites the audience to engage with this concept, exploring how sound's position in space can be perceived and transformed, thereby facilitating a unique auditory experience and fostering a profound connection with the surrounding milieu.
'Where' utilises rice paper as the foundational element of its sonic installation, placed within the space with an exploratory ethos. Listeners are privy to the auditory sensation of the paper's vibrations. This experience, through a reimagined auditory journey, deepens their engagement with the evoked imaginings or resonates with latent memories.
The installation, with its deliberate and gradual alteration of orientation, navigates the dichotomy of left and right, motion and stasis, enabling spectators to ascertain their locus within the space. The reverberations within this realm serve as an unvarnished portrayal of sound's interplay with space, as the installation adroitly constructs and deconstructs the nexus between the sonic environment and individual auditory perception, seamlessly interweaving them.
透過聲音，我們可以認識空間。聲音不僅僅是一種傳遞訊息的媒介，也是一種能夠讓我們感知空間關係的方式。在這個作品中，透過對聲音在空間中位置的認知和轉換，觀眾可以體驗到不同的聲音效果，並感受到自己與空間之間的關係。
《何處》使用宣紙作為裝置發聲的基礎，以一種探索的姿態座落於空間中。觀眾可以聆聽到紙張震動的聲音，透過重新建構聽覺經驗，更深入地體驗到聽覺所延伸出的想像，或是喚起記憶中的對照物。
透過裝置的機構緩慢的轉換方向，左與右、動與不動之間，觀眾可以更確定自己所在的位置。空間中的殘響，是聲音對於空間最直白的描述，裝置不斷地組裝、拆解聲音空間與個體聽覺的關係，又巧妙地將彼此相連。
